Setting your lighting environment to be as visually convincing as possible has always been the prime goal for any filmmaker, but the tools we have had in the past have limited the ease of this task. In the past, we have used shortcuts like Poor Mans Process and manually creating shadows, but now with Image-based Lighting (IBL), creating realistic and active subject lighting is as easy as playing a video asset. IBL allows you to treat an array of Rainbow 2s or Double Rainbows as a low resolution, high output and fidelity monitor, playing back any asset in real time, perfect for pairing with LED Volumes to correctly match any environment. Chapters 00:00 IBL Intro 00:53 What is IBL? 01:56 IBL Example 02:55 Expanding on IBL 03:37 Fremont Street Example 04:32 Applying IBL in Productions 05:02 Spectrum & Output Quality 05:36 Data Considerations for IBL 06:21 Creative Advances with IBL --------------------------------------------------------- Coming Soon... Episode 5: Color Control --------------------------------------------------------- Sign up to make sure you receive episodes of The Science: Thanks to our friends at Planar for supporting this series. Learn more about their LED Wall solutions: Follow Quasar on social: Facebook: Instagram: Credits: Steven Strong - Director Tim Kang - Director of Photography/Himself Tom Hand - Producer/Camera Operator Jeff Maroun - Writer Ben Dynice - Lighting Programmer/Himself Ray Gonzales - Gaffer Triston Strong - Editor Jeremy Stramaglio - Art Department Music: